Owarimonogatari 2nd Season

Following an encounter with oddity specialist Izuko Gaen, third-year high school student Koyomi Araragi wakes up in a strange, deserted void only to be greeted by a joyfully familiar face in an alarmingly unfamiliar place.

Araragi, with the help of his girlfriend Hitagi Senjougahara, maneuvers through the webs of his past and the perplexities of the present in search of answers. However, fate once again delivers him to the eccentric transfer student Ougi Oshino, who brings forth an unexpected proposal that may unearth the very foundation to which he is anchored. As Araragi peels back the layers of mystery surrounding an apparition, he discovers a truth not meant to be revealed.

[Written by MAL Rewrite]

Senjougahara, Hitagi Main

Saitou, Chiwa Japanese

Araragi, Koyomi Main

Kamiya, Hiroshi Japanese

Hachikuji, Mayoi Main

Katou, Emiri Japanese

Oshino, Ougi Main

Mizuhashi, Kaori Japanese

Oshino, Shinobu ing

Sakamoto, Maaya Japanese

Hanekawa, Tsubasa ing

Horie, Yui Japanese

Kanbaru, Suruga ing

Sawashiro, Miyuki Japanese

Sengoku, Nadeko ing

Hanazawa, Kana Japanese

Ononoki, Yotsugi ing

Hayami, Saori Japanese

Oshino, Meme ing

Sakurai, Takahiro Japanese

Iwakami, Atsuhiro Producer

Kubota, Mitsutoshi Producer

Matsushita, Takuya Producer

Shinbou, Akiyuki Director, Series Composition

Reviews

Aug 12, 2017

moodie

Recommended

Owarimonogatari season 2 is the conclusion, final chapter, to the main storyline presented since Bakemonogatari in 2009. And to say that it was a long time coming would be an understatement. It has been nearly a decade since I fell in love with this anime. While it has had its ups and downs it never became intolerable. For anyone who kept watching this series for this long or ed the train, enjoy the finale.

Mayoi Hell and Hitagi Rendevous are arcs with essential information that is needed to be build up before reaching the final boss. The final boss known as Ougi has been foreshadowed ... for some time now. Who is she? Where did she come from? We will have the answers to all our questions in this arc. All the pieces that have been lingering will finally connect.

Mayoi Hell consists of Ararargi going to hell after being intentionally killed by Gaen. If you haven't watched Koyominonogatari by now you should go back because it is very necessary. As well as obviously watching the rest of the series that has aired beforehand. Visually it is an extremely fun episode and seeing Ararargi and Mayoi banter after all these years is great. We saw them send each other off in the Second Season in a touching moment and in the Final Season, we see the wonderful reunion. The music that accompanies the touching moment towards the end pulls at your heartstrings. Can you call it manipulative? Sure but it sure has hell worked well. The comedic timing can be abrasive and I say this in a positive way. It's an onslaught of comedy smacking in your face with animation shifting from cartoony back to on model. With sprinkles of deep dialogue, we get a traditional Monogatari script. The most important element of the arc is Ararargi showing his attitude towards life changing but his heart remains the same. He will always want to save people even if he went back and did things again. However, he still shows some regret in the approach he took and how he could have improved on it. Anyone who has been interested in Ararararararagi's character development will be satisfied seeing him converse with Mayoi. In the second half of the arc, we are met with a character that was first introduced in Tsukimonogatari. To not get spoilers they converse about why Ararargi had to die and come back to life. This arc truly benefitted from the TV Special format because they were a ton of different settings being presented as Mayoi and Ararargi take a journey to meet the man who will bring him back to life. The animation quality was astonishing far better than what we saw in Owarimonogatari season 1.

Hitagi Rendevouz isn't just a filler date between our main cast and heroine. While Hitagi takes a large chunk of her self-proclaimed arc, Ougi Oshino interrupts to speak about the important implications that were presented in Mayoi Hell. Ougi's near threatening dialogue and the sound design gives me chills down my spine when hearing her speak to Ararargi. Without having any knowledge of the next arc, Ougi Dark, you feel anxiety throughout. But wait wait wait let's get back to the date between our main girl and main boy. Hitagi probably looks the most beautiful here than in any other series. While this is obviously a personal feeling I had to put it in the ethersphere. But being beautiful isn't just about the character design, shaft really kept up with the animation and kept her on model almost throughout. With the obvious exception of comedic animation shifts. The backgrounds are rich and full of life as Hitagi, with her new driving license, takes out Ararargi on a date. The date itself was very charming. The most befitting to a 6 months relationship. To the viewers, it has been 8 years.

Ougi Oshino is Ougi Oshino

What makes this arc very different than most arcs is that it is a bit mature, not as mature as Hanamonogatari was but close. We don't see much fan service and we see a lot of reflection of the past. Its a somber ending. I am glad we are at the conclusion. But do not fret there are more novels to be adapted which will be. While they might not hit as hard as these arcs in this season it will still be a joy to watch.

Thank you for the best 8 years of my life Nisio and SHAFT.

Reviewer’s Rating: 10

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Apr 17, 2025

CaptainKenshiro

Mixed Feelings

Funny

If you are one of the three people that have been reading my Monogatari reviews you might have noticed that each one of them more or less reflected my impressions about them, thus Bakemono’s was a setup for what was coming next, Nisemono’s was very short and without much content, while Neko: Kuro and Second Season got a much more detailed one to explain everything I thought about them. Meanwhile Hana and Tsuki got one closer to the one of the second series, and I bashed Koyomi as it rightfully deserves.

So, in true Monogatari fashion, let me go back to something I wrote right at ... the beginning of my Kizumonogatari review:

“Ah, fucking finally, the one entry that chronologically starts it all, and it focuses a lot on Araragi and Kiss-Shot Acerola-Orion Heart-Under-Blade, who so far remained mostly a good hearted pedophile with some serious incestuous tendencies, and a tryhard moe donut eater with a seemingly interesting backdrop that was only teased throughout the previous seasons.”

As you can tell by this paragraph, I did the mistake of skipping the first season of Owarimonogatari and going straight to that horrible Koyomimonogatari and the one I truly wanted to watch, Kizumonogatari, since I figured I would watch every entry before the two that finish everything together. Well, by doing that I wrote something which although it isn’t entirely inaccurate, it also omits how the two characters were more fleshed out during that particular series.

At the same time, in that review I wrote that it was good that Kizumonogatari’s release was delayed as much as it did because:

“If it came out after Bakemonogatari, it would feel like information about the characters was missing. By 2016, Koyomi, Hanekawa and Kiss-Shot were more or less explored or had their backgrounds revealed, especially Tsubasa, so it doesn’t feel like the movie trilogy it’s incomplete. Whatever it covers brings a proper closure of the past of the main cast just fine.”

Which would have made someone think that I did watch Owarimonogatari before because that paragraph is even more accurate after watching it. By the point that movie trilogy came out, along with what was shown here and the previous season, the characters felt all around complete.

Now, on to the present and the actual review

The first season of Owarimonogatari shares aspects with some previous series, it is split and needs another entry to feel complete like Neko: Kuro, and it only has two arcs like Nisemono, yet unlike the first, at the end of the day it still feels like its own thing with a beginning and an ending, and unlike the second, things move forward with an appropriate pacing, without making the important characters of a story to feel secondary and irrelevant despite being the focus of the plot.

The first arc shows the chronological first apparition of Ougi, sometime before the Nadeko arc of Second Season, and as soon as (she?) appears (she?) messes with Koyomi, making him face the past that he kept avoiding in what was written with the intention to represent suppression of painful memories, yet unfortunately at times felt more like the main character having an extremely bad memory for the sake of the plot.

Despite that, fleshing him out beyond his comical and archetypical role of a harem lead is definitely a good move and something that he really needed. It explains how he became a bleak and antisocial loner, which complements well with his development of that phase in Kizumonogatari into his personality of the rest of the franchise.

I mean, his backdrop story comes down to a kid that can’t accept that reality is not what he pictured it to be, so his actions come off as somewhat petty, but reminding myself that his whole world view more or less crumbled when he was very young and naïve definitely helped in making everything more acceptable. Showing this after the character already developed in the future events shown on the previous seasons or the exact next entries was also a good choice.

Besides him there’s also a little more screen time for Ougi, built up as the true antagonist of the whole franchise, and her different interactions with Araragi and the rest of the cast are pretty enjoyable and intense at times, allowing the protagonist to be more expressive without as many internal monologues, while everyone else is skeptical of (her?) intentions and actions, and even try to stop them.

There’s a newly introduced girl, Oikura, and what a messed up character with the most fucked up backdrop story by far. Much like Koyomi’s, her past in the school feels even pettier and her personality very exaggerated. As soon as her circumstances are shown, fortunately without an edgy approach, she becomes far easier to understand and tolerate.

The series makes a contrast between Araragi and Oikura while exploring them. His worldview crumbled and yet thanks to his circumstances, meeting the right people, and his own attitude, he powered through it and became a better person, when he is not acting like a degenerate. On the other hand, she didn’t have any of that, and went through much more serious stuff, so she pretty much became a mess and delved in self-pity and resolved to blame everyone else, much like Nadeko would do on a later arc that was shown in Second Season.

Having Hanekawa alongside Koyomi and being the one to confront her was a good move writing wise, because of both her personality and own character arc. Also, this one does a good job in setting up her actions in Hitagi End.

With all that said, I have to question the messages the arc sends, I doubt saying that is good to have someone to blame and hate for one’s own struggles for the sake of one’s own happiness, but at least the series itself turns against it at the end by having Oikura realize that she was the one on the wrong while hanging on a very thin line between sanity and insanity.

The other one is the usual of the franchise that you are the only one that can really help and save yourself and make your own happiness, which sounds really good on paper but just like Paranoia Agent, feels simplistic and not very empathetic, considering the circumstances of the characters, which in the case of Oikura become worse and worse.

The finale feels like a non-ending, as the girl gets a catharsis that even the series itself its it’s quite anticlimactic, and it also doesn’t feel completely ed by the narrative. Despite having she realizing that she was wrong and that she has to stop blaming everyone else and make things better for herself, without a follow up to actually see that, it feels like something is missing.

And yet, somehow, it just…fits. The arc was quite distinctive for the usual pattern of the Monogatari series. Araragi can’t use his powers, he can’t rely on them to solve everything, there are no aberrations involved, it’s all about the mentality of the characters, the girl doesn’t want to be helped by Araragi, she doesn’t end ing his harem, she doesn’t try to solve her problems, nor self reflects enough nor gains a proper resolve and resolution at the end…and it fits, because she didn’t try that. If the arc somehow ended with everything being resolved and with a happy ending, it would make everything that led to it to feel superficial and the issues to be nowhere near as heavy as they were made out to be throughout the whole season at that point. So, it’s one of the saddest yet most fitting conclusions, based on the actions of the main girl.

Another thing I want to point out about this arc is the proper tone. Even though there are some comical moments they are mostly subtle and do not clash with the overall serious mood, some even feel like the characters have ive-aggressive interactions so they don’t end up fighting among themselves, AND THERE IS NO FANSERVICE IN IT, which was something extremely welcomed by me.

In of aesthetics, the arc goes back to what was done in Tsukimonogatari, which translates to good artwork and backgrounds, equally very little motions, and at times a bit too bright special effects, but overall a more polished version of that season in this regard.

The audio department, much like that series, has an electronic first opening and a typical jpop ending, in this case both with lyrics about two people being apart despite also being close, opening doors and tresing borders, which fits what happens in it and the character Ougi (herself?). For some reason there are other two intros with Oikura as the main character instead of just one, and they are both among the best ones in the whole franchise in both music and visuals, and with lyrics that properly explores her mentality just like all the rest of them.

As for the soundtrack, just like in Tsukimonogatari, it is much more intense and suspenseful than the previous shows, and since this arc is far more serious, it is also a more fitting and improved version of it. Even the comical ive-aggressive interactions among characters give a high sense of tension thanks to it. Sound effects and voice acting are as good as ever, with the exceptional performance of Marina Inoue in what has to be her best and most distinctive one, properly managing different changes in tone and volume for Oikura.

As a whole it is an intense arc properly handled in of aesthetics, tone, pacing, character dynamics and resolution, although not as good in of how the messages are tied with the narrative, and the beginning isn’t on the same level that it ends up having as a whole.

The second arc is centered on Shinobu and it is essentially a resolution for her as Kiss-Shot Acerola-Orion Heart-Under-Blade. Chronologically it takes place after Shinobu Time and around the same time as Tsubasa Tiger, from Second Season, so its ending leads directly to that arc.

Aesthetically it doesn’t have the bright special effects of the previous arc, so it’s an improvement. It combines the presentation of the inner thoughts and ages of the light novel of the characters from Tsukimonogatari and the Oikura story, much shorter, slower and easier for the eye to catch them than the earlier seasons. It also has its fair share of well animated action and CGI for a samurai armor and its powers that are well rendered. It also uses the style of Kiss-Shot’s past in Second Season for a moment.

Since unfortunately the arc begins with a very silly tone, the background music is inferior in the beginning but gets to the same level of quality at a midpoint when it takes itself seriously, and the opening is Mein Schatz, easily the best theme in the franchise.

The beginning of the arc is not good as it is very silly and has a lot of comedy and meandering, and even some fanservice, affecting the pacing and going a step back in of quality. Once it gets serious however, it explains the setting in a way that was not done before in the franchise, directly tying it with practically every past action of the characters, thus making them face their responsibility for what they have unwillingly done and retroactively making the weird happenings to the cast to make a bit more sense in-story, although it still doesn’t explain why everyone else in the town is clueless about what happens.

It has someone from Shinobu’s past as Kiss-Shot reappearing again and thus her having to stop running away from that character and face him, as Kanbaru tells her, in a scene that makes her seem more like the next protagonist of the franchise way more and way better than all of Hanamonogatari.

So, it reinforces the same message of the rest of the franchise of the characters being the only ones that can solve their problems, thus they have to face them. Like with the previous arc in the season, it’s a bit lost in the narrative since at the end it’s Koyomi who solves the conflict with dirty tricks, but it is an alright message as usual.

I also want to point out as a positive that Koyomi is put in a situation where he can’t be in three places at the same time solving the problems of everyone else, something that he is told throughout the franchise, thus he takes care of one situation, while trusting the others to someone else, as it was shown in Second Season.

And also, it ends with the message that oneself is the only one that can assure their own happiness, by beginning to actively search for it, something that changes Koyomi a little and a later point in time has a direct influence in the first arc of this particular season.

The conclusion is overall good for the season in of messages, themes, characterization, and as a closure for the second arc, but thanks to Koyomimonogatari, there’s still more stuff to cover, which is what the second entry is focused on.

Said second entry begins right after the ending of Koyomimonogatari and despite being divided in three mini arcs, they take place one after the other in order, and the content on each of them is very simple, so I find no point in breaking them down as I did with the previous two. The beginning isn’t very promising, as it goes back to the aggressively stupid meandering, comedy and a little bit of pedophile humor and fanservice, while it also takes away the importance of death in the franchise even more and a bittersweet ending of a previous arc. Oh, an also, the backgrounds are at times very bright.

Thankfully, as it happens with most arcs and series in the franchise, it becomes a bit more serious and overall better later as it goes on, but still, despite being the overall conclusion of everything, it never feels like there is much gravity and adequate seriousness in it, partly because the outcome is already known thanks to Hanamonogatari. You thought I would forget to mention it and blame it for the lack of tension? I never will.

The importance of the first mini arc comes to down to explaining the setting even more, through dialogues, because either the author or the studio clearly isn’t very good at showing instead of telling, and a certain way of doing things that take away a little of proactive initiative of some characters, but it also retroactively justifies what seemed to be scripted actions of some others, who have actually been preparing the outcome they wanted, instead of a predetermined one fabricated by someone else, while it also explores a very secondary character a little more.

Afterwards, the plot progress and it doesn’t at the same time, as pacing stays somewhat in a rare middle, with several character interactions that range from the normal to even the kind of metaphysical, that serve as a progression for the romantic aspect of the franchise, and as a setup for the conclusion of it as a whole, at least as far as the anime goes.

The conclusion still continues to explain the setting, in the same manner, and still keeps retroactively justifying actions of the characters and setting up the plan for the outcome and the conclusion, while it also gives an answer for the mystery behind everything, which is very simple and previously suspected by most people that have been following the franchise. It doesn’t surprise anyone, but it fits with the whole and the future, meaning, Hanamonogatari.

What’s good about it is that it explains what every important character has been doing out of screen for the outcome to happen the way it does, and what the secondary ones kept doing with their lives, the bad thing is that the anime still doesn’t know how to show those things, so instead chooses to tell them.

The best aspect of the resolution and the season as a whole is how everything ends up being a product of the doings and the mentality of the main character. When I came to know about it I thought it would be very far-fetched and out there to be convincing, but thanks to all the previous build up from earlier entries, I find it to be fine. Also, as a message and closure for Araragi, it is nice that he finally does something for and by himself, and accepts his dark side, in a similar character arc of the one that Hanekawa had.

The bad thing is how it still happens through big conveniences and last minute apparitions and saves, as the series itself its by calling them even miracles. The characters manage to fulfill a certain outcome and fool it at the same time, similarly to the ending of Jigokuraku, but they do it by making everything seem very easily solvable, ending everything in a fitting albeit a bit underwhelming way. Basically, the finale was a bit meh in of plot, but good as far as characterization, which is basically how the Monogatari franchise is as a whole, so it fits.

Visually, after it gets rid of that super bright background, the season is among the best in that regard, if not the best, as it combines every visual trick used earlier, except for the art style used during Kiss-Shot’s past, even integrating the one that up until now was reserved only for the endings, and with a more…relaxed, and nowhere near as bombastic directing, making everything a bit…friendlier and easier for the eye to keep track, as well as read the light novel lines in between. The only issue is that, as usual, the motions aren’t very good.

As the tone is much more lighthearted than it was in the previous season, the music takes a step back in quality as well. There is one ending that is the same as most of the earlier ones, and three openings, one akin to those of Hachikuji, which means I skipped it after the first time, another one similar to those of Hitagi, which means I didn’t find it special in any way but I still somewhat enjoyed for its retro aesthetics, this time in the music which gave me a very City Pop feeling, and a third one which I didn’t care about and felt like a very inferior version of the one Ougi had before.

As a whole, the resolution felt…appropriate, as it fits with what was previously done, and what was assured to happen next, while it also reveals what every character is up to or going to do next, as a form of catharsis, albeit it does it with not the best presentation and without making much sense thanks to the conveniences in the writing, while nothing feels very serious because of the very lighthearted tone. Basically, the franchise in a nutshell. I rate the first season with something between 6 and 7 out of ten, and the second barely with a 6.

I wasn’t planning on giving my thoughts about the whole franchise in this review, since I still have one more entry left, but from what I read it’s just another filler season of mini stories like Koyomimonogatari, that takes place between this one and Hanamonogatari. I can’t imagine myself having much to say about something like that, let alone something positive, so I prefer this one to be my SECOND to last review of the whole series.

From a critical stand point, the writing is cleverly done for the dialogues but nonsensical in of plot and logic for the most part, even if there are some explanations for the setting and the weird events at the end, and the progression is very slow thanks to a lot of meandering, hit or miss comedy that abuses of being referential, creepy fanservice, and some entries that could be reduced by a lot or skipped almost entirely. It is also just good enough in sound, despite the very good voice acting, and although the visuals are overall extremely good, a lot of the weird imagery doesn’t feel justified by the narrative and is there just because. It’s not the plot you watch this franchise for though, but rather the messages which are good albeit not very well delivered, and most of all the characters, which are among the most memorable and fleshed out casts in the medium, and far better than what anyone would expect from a harem, unless that someone consumes the genre specifically for the perverted situations and the fetishized archetypes that pose as characters.

As far as I know, there is still more stuff to be adapted, as the novels kept going (and keep going, I think?), but seeing how this entry had a fitting ending with no loose ends, I don’t think that seeing more is really necessary, and I’m not the only one it seems, seeing that nothing else of it was released for five years now.

As a whole, I think Bakemonogatari and Nekomonogatari: Kuro are a watchable setup, with Second Season, Kizumonogatari and Owarimonogatari as worth watching follow ups or prequels and the highlights of the franchise, that makes a decent whole, but the rest is either filler or way inferior and could have been shortened by a lot. That is why I personally prefer the manga version, which I’m close to finish, for being far faster and in my opinion more focused, even though it lacks a lot of the highlights of this one. If I go by numbers for all the seasons together, Monogatari ends up being barely a 5/10 as a whole, but if I rate everything as one big series, it goes up to something like a 6.5/10. I’m not satisfied with any option to be honest, as I find the first to be too low, and the second too high, so I settle for something in between. Meaning, I find it to be just barely something like a 6/10, nowhere near among the best in the medium by any stretch of the imagination, but not plainly a waste of time either.

Now for my personal rankings of:

Songs that I cared about

Mein Schatz
White Lies
Mathemagics
Yuudachi Houteishiki
Sugar Sweet Nightmares
Marshmallow Justice
Kimi no Shiranai Monogatari
Perfect Slumbers
Kieru Daydream
Decent Black

Characters

Kaiki
Hanekawa
Senjougahara
Kiss-Shot/Shinobu
Oshino
Gaen
Kagenui
Ougi
Nadeko
Koyomi
Kanbaru
Oikura
Ononoki
Rouka
Tsukihi
Karen
Hachikuji

Entries in the franchise

Second Season
Kizumonogatari as a whole
Owarimonogatari as a whole
Bakemonogatari
Nekomonogatari: Kuro
Tsukimonogatari
Hanamonogatari
Nisemonogatari
Koyomimonogatari


Recommended stuff

-The Tatami Galaxy for similar aesthetics, directing, voice acting, internal monologues and main character arc.
-Kami Nomi zo Shiru Sekai: Megami-hen (only worth watching and unfortunately last entry in a horrible franchise) and Ouran Koukou Host Club for harem series that bother to flesh out their characters.
-Mononoke and Boogiepop wa Warawanai for more serious anime about people mentally hunted by supernatural entities.
-Ghost Hound and Paranoia Agent for interconnected plots about interconnected characters being mentally affected by supernatural stuff and their own lives.
-Katanagatari, another series from the same author with a similar style of writing.

Reviewer’s Rating: 6

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Aug 15, 2017

Akzhu7

Not Recommended

"Everyone sees what you appear to be, few experience what you really are.'

This review does not contain spoilers. This review is not made by a blind fanatic or a hater who has nothing better to do, this review is made by a person who saw this series for more than 8 years of his life.

I'll be honest and I'll go straight to the point. I will not speak with fanaticism in my words, I will write just the truth about these episodes, my truth, nothing more and nothing less. I have no sweet words to these episodes, so if you can't digest a different opinion ... than yours I ask you to not continue reading my review.

I want to clarify this before I start, I'm a fan of this series since the day it was released in 2009 and the second season is in my top ten favorite anime of all the time, so you wonder why I did not like this part? and the answer is very simple, I do not like this part because it concentrates everything that is wrong with the last works of the Monogatari series by the acclaimed Japanese animation studio shaft and directed by Akiyuki Shinbou, oh wait a moment is not even him who directed these episodes, that makes so much sense and at the same time so little, Shinbou why do you disappear when the fans of the old times need you more than ever? oh, I see you're a captain who does not sink with the ship, intelligent move on your part, traidor.

One of the clearest problems is the speed with which the story advances, being so fast does not create a sense of importance in the events that occur in the story, at one point we are with a scene that pretends to be emotional and full of stress and the next moment the protagonist is making jokes about the underwear of a minor and you can tell me that that always happened with the Monogatari series but this time it is in a more clumsy, notorious and completely out of place way.

It is really depressing and insulting for a lifelong fan to see that the mistakes of the past have not been corrected and not only that, but that the problem has been aggravated in such a stupid way that you can not do anything more than pretend that you did not see anything. I was the best accomplice of this series and I did not give importance in the past but I got bored of the same grotesque joke again and again, which leads us to the following problem with these episodes, which is the repetition of the same old material, these episodes only repeats the same jokes and ideas that in previous seasons, these episodes did not innovate at all and you know what is worse than that? is that the people behind this work does not even try or care about the fact that they are just recycling the old stuff over and over again, they are hitting your head over and over again with the same old ideas and jokes until you say enough and I'm a fan who got tired of this deal, it is no longer funny, it is not innovative anymore, it is not even artistically pleasing as it was before. It's just an endless number of memes that died a long time ago. They pretend to be funny when it's just a lot of trash that they're recycling to not create anything new. Why strive to create something new if the old is accepted as something with some value.

These episodes suffer from not giving much explanation to some important events that occur in the life of the characters, how convenient is to not explain anything and just move forward as if this were a race but the production team can take the time to do the same joke again and again, so it is not a problem of time, they simply do not care in the desire of the fans, "give us your money and go away". Also includes many characters that are only present for a brief and insignificant moment, this is an insult to the characters themselves and fans of these characters, an absolute disgrace. In other occasions the characters act as if they were a stereotype of some very obvious program and they make clear what are their intentions although the series wants to generate an atmosphere of mystery, but is not a mystery if you are telling me everything directly or at least is not a good mystery.

These episodes are the clear sign that studio shaft loves to play safe and just want the easy money of the fans who are hungry for more material, for more empty dialogues and characters pretending to be talking about something deep when it's just about the panties of a little girl. The fans are many, they will eat whatever it is, they must create something that many will like, easy to eat and bring it to their tables as fast as possible and the result is a hamburger. this is a hamburger that instead of having interesting dialogues full of new ideas is full of the greed of the people who are in the production studio, instead of having witty and provocative comedy has jokes about the tits of a little girl and instead of taking the time to develop the characters and be careful with their emotions has recycled material fresh from the trash.

I firmly refuse to accept this insult to my loyalty for this franchise, I refuse with all my love to accept this mistreatment of my patience and I refuse with all my ion to remain silent, these episodes were the worst I saw in the whole series and it's sad that everything has ended in this mediocre way. Each movement of the characters was predictable, each word was said in the past and every joke was repeated so many times that it is no longer funny.

Sweet dreams my beautiful monogatari series, you are no longer what you once knew to be. I have ired you for over 8 years, I laughed with your first jokes and I identify with some of your characters but after more than 68 episodes, 3 movies, 2 ovas, you're not longer what you used to be.

I do not need buzzword like say "masterpiece" every 4 words to describe my feelings, I just let the heart speak and this review was made with heart and ion so I hope you understand that I do not hate this series at all, I just wish everything was better... Every moment, every word, every plot change in the story did not live up to expectation and the name of these series.

Rest in peace.

From a real fan who was waiting for this moment for more than 8 years.

Reviewer’s Rating: 4

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Akiyuki Shinbou Directed Anime Watchlist Part 2

by TheCoolGuy82

40 Entries · 59 Restacks

Spring Collection

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Monogatari Series - Narrative Watch Order

by Excalibaaaa

14 Entries · 27 Restacks

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North American Anime & Manga Releases for April

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Here is a collection of promotional videos (PVs), TV ads (CMs), and trailers for the last week. This thread excludes videos that have already been featured in an art...read more

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In Numbers: The Best Anime of the Decade

What's the #1 anime of the 2010s? Which year was the best? What studio had the most hits? We have the answers to all these questions and more!

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It's time to revel in the hype and talk about the most anticipated anime sequels, spin-offs and continuations for this year and the next!

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Spoiler