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I would rather become an alcoholic than watch this braindead anime for one more episode. (Not that it's even that bad—I just like drinking liquor.)
In reality, Witch Watch is okay, but it’s not original or refreshing in the slightest. Some people might find it fun because of the comedy, but that mostly boils down to the female MC constantly flirting with the male MC in weird ways, or dumb setups that try (and fail) to pull out some emotional reaction from him. None of it feels like it actually moves the story forward.

Quick TLDR before the full review: This show feels pointless. The characters are ... stupid, one-dimensional, and overloaded with every cliché in the book. I cannot stress enough how bloated this anime is, mainly because of its sluggish pacing. The animation? Yeah, it looks good—but that doesn’t save it from being a generic, forgettable story. Honestly, you’re better off picking something from your Plan to Watch list. (End of TLDR)

Just from the first episode, you might think this has some original ideas or could turn into something interesting—but it immediately starts tanking. From there, it begins shoveling in every basic anime trope: the “we’re in the same class” thing, schoolgirls gossiping at the local diner, the female MC teasing the male MC in class, then later turning into sexual teasing (since you know, they are male and female in the same household). You get the idea. And it never lets up—it just keeps running similar overused tropes and clichés episode after episode.
Now, don’t get me wrong—tropes and clichés aren’t always bad. If used well, they can still be entertaining. But this anime is like the dictionary definition of uninspired. It checks off every single trope, every single episode. I don’t think there’s a single scene here that hasn’t been done before, almost beat for beat, in some other anime.
That said, Witch Watch isn’t terrible. It’s just painfully predictable and aggressively unoriginal. The characters aren’t awful—they’re just generic. You’ve seen their personalities and decision-making a hundred times already. The story? Not offensively bad, just dull. The only thing holding this anime together is the romance between the leads, and even that isn’t anything to write home about compared to basically any halfway decent romance anime.

To be real, I can’t fully call it a bad anime—but there are so many better things you could be watching instead. If you want a good slow-burn romance, watch Spice & Wolf {Remake}. Want a psychological drama? Steins;Gate. Solid seasonal romance? The Too-Perfect Saint is doing a better job. And let’s not kid ourselves—you’ve got a dozen anime in your PTW that would be a way better use of your time. That’s the main point here: just go watch something you've been putting off. Those shows have been sitting there for years anyway.
Being fair and not just throwing blanket hate here—I’d say give it until episode 4. If it hasn’t hooked you by then, just drop it. By episode 7, nothing major has changed. If you do end up liking it, then hey—this anime is probably hitting your niche, and that’s totally fine. Enjoy what you like. But if you’re like me, you’ll probably get more satisfaction finally watching that one anime you’ve been meaning to start since 2022.

6/10. Not objectively bad, just not worth recommending over the dozens of better shows you could be watching instead. If you truly have nothing else lined up, this is fine. But let’s be honest—you probably do have something else to watch, you just don’t feel like starting it.

Alderamin on the Sky is milquetoast, pretentious, rudimentary, and conceited.

Nothing about this anime feels particularly fresh or original. The story lacks an overarching plot, and the worldbuilding is too shallow to give the setting any real uniqueness. However, despite all of that, it's not a boring show. It’s a decent anime to binge, even if there are many better options out there.

Let me explain in more detail, starting with the good and ending with the bad.


The Good:
1. Characters:
The characters are fairly generic, but they aren’t unlikeable. Even tropes like Yatori (the stoic, sword-wielding female lead) and Haroma (the busty healer) manage to be charming and ... watchable. The main character, Ikta, falls into the “lazy genius” archetype, and while he lacks a bit of depth, he still works well enough. He’s also portrayed as an overpowered strategist, which makes him entertaining to watch in certain situations.

2. Strategy and War Planning:
This is easily the strongest part of the series. The tactical elements are where the writing shines. Ikta’s clever use of deception, morale, and knowledge in battles creates genuinely engaging moments. These scenes are by far the most enjoyable part of the anime, and they help carry the rest of the show.


The Bad:
1. Shallow Writing and Weak Worldbuilding:
Aside from the battle planning, most of the writing is unimpressive. The antagonists are one-dimensional and lack any standout traits. The supposed conflict between the Empire and the Republic is barely explored, and characters’ actions rarely feel like they have meaningful consequences within the world. Everything feels disconnected from the larger setting, and it’s hard to care about the stakes.

2. Underdeveloped Plot and Disappointing Ending:
The story doesn’t have a strong sense of direction. Each battle feels isolated and doesn’t contribute much to a greater narrative. This might be a limitation of the anime adaptation, but based on what others have said, the light novel isn’t much different. The ending is also unsatisfying. It tries to wrap things up while leaving room for a sequel, which ends up feeling indecisive and incomplete.


I can’t fully recommend Alderamin on the Sky, but I also wouldn’t call it dull or a waste of time. Depending on how much the issues I mentioned bother you, it could either be a decent watch or one that falls flat. If you enjoy military strategy and don’t mind weak worldbuilding or a thin plot, you might still get something out of it.

Score: 6.75/10 – Not bad, not amazing. Watch it if the things I pointed out sound acceptable to you.

Thanks for reading. Hope this helps you decide whether or not to check it out!

If you’re a fan of Yuru Camp, then Mono might be right up your alley. It shares a similar relaxed, slice-of-life vibe that leans heavily on atmosphere and subtle character interactions. That said, for me, Mono never quite reached the same level of charm or engagement as Yuru Camp. At times, it felt a bit bland or uneventful by comparison.

That’s not to say Mono is bad—far from it. When each episode finally gets to its main focus or message, it can be genuinely entertaining and even a little rewarding. The issue, however, is the pacing. A large chunk of each episode feels like filler—slow-moving scenes ... that don’t add much, and often make the experience feel like it’s dragging on forever.

Still, I recognize that part of this could just be me. Maybe it’s my modern attention span craving more plot or faster development. This anime is clearly made to be laid-back, even meditative, and if that’s what you’re looking for, it might hit the mark better for you than it did for me.

In the end, Mono feels like a show aimed at a specific audience—one that I’m probably not part of. But if you enjoy the relaxing, low-stakes nature of something like Yuru Camp or the more character-driven episodes of K-On! (the ones that don’t focus on the music), then there’s a good chance you’ll find something to enjoy here.

Ratings: 7/10 (Critically rated), 6.5/10 (Personally rated).

Thanks for reading!

Summer Pockets really shows its visual novel roots—and not just in concept, but in execution. It doesn’t try to adapt or smooth things over like most visual novel-to-anime conversions do. Instead, it feels like they lifted scenes directly from the game with almost no effort to rework them for animation. Dialogue jumps around, transitions are abrupt, and it often feels like you're just watching someone click through the original game.

That doesn’t mean the anime is bad. It has a certain quiet charm—nice background art, a relaxing atmosphere, and music that fits the tone well. But it’s a strange viewing experience. It feels less like an ... anime and more like a visual novel on autoplay. There’s a disconnect between the medium and the way the story is being told.

One of the biggest issues is how static everything feels. The characters barely move. Outside of the occasional blink or mouth movement, there’s little animation to bring scenes to life. It gives off a PowerPoint-like vibe—characters standing around stiffly while talking, with very little expressiveness.
The pacing doesn’t help either. It’s slow—not in a thoughtful, atmospheric way, but in a way that makes scenes drag. You can tell important stuff is happening (or going to happen), but the show does very little to keep you actively engaged.
This might work better for fans of the original visual novel—it’s extremely faithful in tone and structure. But as an anime on its own, it feels awkward and underwhelming. It’s not a bad show, but it doesn’t take advantage of the medium it’s in.

7/10.
This one’s tough to rate—it really depends on what you’re looking for. If you enjoy the feeling of watching a visual novel play out almost exactly as it was, you will likely enjoy this. But if you prefer your anime to feel more streamlined and adapted to the medium, with smoother pacing and more natural scene transitions, this might not click with you quite as much.
And honestly, that’s what should help you decide whether to watch it—not just my score, but whether that kind of presentation appeals to you.
(Thanks for reading! Hope this helps you decide whether or not to watch Summer Pockets!)

Theoretically, this should be an alright anime.
Realistically though, it’s kinda mediocre—edging on being unenjoyable drama slop.

(NOTE: I haven’t read the manga, so this is purely based on what I’ve watched.)
First off, I don’t outright hate this anime. I just think it’s a big waste of time. The only thing that really grabs the viewer is the over-sexualized drama between the sisters and one of the brothers.

For whatever reason, the sisters are only into the older brother—our main character, Arata. The slightly younger brother? Pretty much ignored. Why? Plot reasons, I guess. But the weird thing is, while the sisters are all over Arata, they also ... seem to get a kick out of embarrassing or hurting him just for the fun of it. So I’m sitting here wondering: Why am I supposed to like these girls when they’re constantly picking on and bullying the guy they supposedly like?
The only thing really keeping me watching is the dumb melodrama and the cliché moments that usually exist just to embarrass the male MC and throw in a bit of light fan service. That’s it.

This isn’t even a unique premise, either. Stuff like this has been done before—usually with a twist, or at least without (simulated) family ties between the characters. Take Quintessential Quintuplets for example. Same general idea: lots of sisters, vaguely similar drama. They're not exactly the same, but it makes the point—this kind of story isn’t rare, and there are probably tons of other anime with similar setups.

Overall, it’s watchable, sure. But honestly, it’s pretty mid. There are way better anime out there—either already on your Plan to Watch list or airing this season. That’s why I generally wouldn't recommend it unless you are bored and have nothing to watch.
6/10

Is Welcome to Japan, Ms. Elf! bad? Not at all.
Is it amazing? Not quite. But it’s still a surprisingly enjoyable watch.

At first, I expected a cozy slice-of-life anime about an elf struggling to adapt to modern Japan—something along the lines of Miss Kobayashi’s Dragon Maid but with an isekai twist. Instead, what I got was a show where the characters constantly jump between Japan and a fantasy RPG world whenever they fall asleep together. And while that setup isn’t bad, it’s not exactly what I was hoping for either.
The fantasy world itself is… fine. It’s your standard RPG-style setting, complete with magic, skills, and all ... the usual tropes. It does its job but doesn’t do anything particularly new or exciting. Honestly, the fantasy parts feel like they exist just to check the "isekai" box rather than add anything meaningful to the story. But here’s the thing—the Japan side of the story? That’s where the show actually shines.

Let me elaborate---

Where the Anime Really Works:
The biggest surprise for me was how well the romance was handled. A lot of romance anime tend to drag things out or rely too much on frustrating misunderstandings, but this one? It actually feels genuine. The relationships develop naturally, and there’s a warmth to the interactions that makes them stand out from your typical anime romance.
And a lot of that comes down to the characters.
Marie is, without a doubt, the best part of the show. She’s sweet, fun, and just an all-around joy to watch. Seeing her reactions to modern Japan is always entertaining, and her dynamic with Kazuhiro is great. There’s an innocence to her character that never feels forced or exaggerated, making her easily one of the most likable parts of the series.
Kazuhiro, on the other hand, is… well, he’s okay. He’s not an annoying protagonist (which is already better than some), but he’s not particularly memorable either. His laid-back "go with the flow" attitude works fine for the story, but I couldn’t help but wish he had a bit more personality. That said, he does have some solid moments, and his chemistry with Marie feels believable, so I can’t complain too much.

The Biggest Problem (In my opinion):
The entire time I was watching, I kept thinking: This anime would be so much better if Marie were just stuck in Japan.
Think about it—if she had no way of returning to her world, the story could’ve been so much more compelling. She could have had a meaningful arc about struggling with modern Japanese culture, learning the language, and slowly finding a new home with Kazuhiro. There’s so much potential in that setup, and it would’ve given the show a unique angle that set it apart from the endless flood of isekai anime out there.
Instead, we get a back-and-forth between Japan and the fantasy world, which ultimately just makes the show feel less focused. The fantasy side isn’t bad, but it’s also not particularly exciting, and every time the story shifted back there, I found myself wishing we could just stay in Japan and watch Marie figure things out.


Despite my complaints, I still enjoyed "Welcome to Japan, Ms. Elf!". The romance is solid, the characters are charming, and even though the fantasy elements feel like a wasted opportunity, they don’t completely ruin the experience.

7.5/10, If you’re looking for a romance-driven isekai that doesn’t take itself too seriously, this one is worth checking out. Just don’t go in expecting something groundbreaking.

Thanks for reading—hope this helps you decide whether to watch it!

(Note: I haven't read the light novel or manga.)

I honestly don’t understand the hate surrounding Unnamed Memory. For about 80% of the series, I found it to be genuinely entertaining. The biggest criticisms seem to be that the story is rushed and that the artwork could have been better—but despite those flaws, I still think this is a solid anime.

As with most light novel adaptations, it doesn’t capture all the intricate details of the source material. However, I personally didn’t mind that. The story remained easy enough to piece together, especially after the first season. In fact, I felt that the second season found its ... footing much better, likely because the anime's staff became more comfortable with adapting the material. As a result, it felt more polished compared to the first season.

That said, there are definitely moments where more context would have helped, and some aspects could have been better fleshed out. However, I don’t think those issues ruin the experience. Complaining about it won’t change the reality that a remake by a top-tier studio like Madhouse, MAPPA, or ione is highly unlikely—though I do think this anime truly deserved two full 24-episode seasons, similar to the Spice & Wolf remake.

Would a better adaptation be nice? Absolutely. But I went into this show without any prior knowledge of the light novel or manga, which helped me appreciate it for what it was rather than what it could have been.

What I Enjoyed
1. The Romance
Oscar and Tinasha’s relationship felt naturally developed, never forced. While the pacing was rushed at times, their chemistry and interactions remained engaging throughout the series.

2. The Drama
For me, the drama struck a solid balance—it never felt excessive or overly drawn out. Even when the pacing was quick, the resolutions felt satisfying enough.


8/10, Despite its flaws, I genuinely enjoyed Unnamed Memory. It may not be a perfect adaptation, but it’s still a good anime in its own right. I’d recommend watching it with tempered expectations—you might end up pleasantly surprised.

Thanks for reading! I hope this helps you decide whether or not to give Unnamed Memory a shot.

Should’ve Been Good… Came Out Bad
That’s the nicest thing I can say about this anime after its absolute train-wreck of an ending. Any good aspects this show had are completely overshadowed by dumb melodrama and a cast of generally unlikable characters.

Let me break it down:

The Bad:
1. Almost No Meaningful Development
Over the course of the entire series, I can count maybe four scenes where the romance between the main characters actually felt like it was progressing. But every time they take a step forward, the next scene immediately erases it. This frustrating cycle of backtracking makes the story feel stagnant. All of this could have been ... salvaged with a strong finale… but (spoiler alert) the ending does the exact opposite (more on that in #4).

2. Hard-to-Like Characters
Saito is the generic bookworm protagonist, mostly serving as Akane’s verbal punching bag. Akane, on the other hand, is an abrasive tsundere who never really grows beyond that archetype. Whenever they do manage to have a nice moment together, it’s either ruined in the next scene or completely ignored in the next episode. Neither of them feels particularly enjoyable to watch.

3. Melodrama for the Sake of It
Every episode is packed with forced drama that leads absolutely nowhere. Instead of meaningful relationship progression, we get exaggerated conflicts designed to keep the story moving—except it’s not really moving anywhere. The drama doesn’t deepen the characters or their relationships; it just exists to stretch out the runtime.

4. A Ruinous, Inconclusive Ending
If you’ve ever dropped The Walking Dead after a certain infamous scene (Glenn), then you might understand the level of frustration this ending brings. Instead of delivering satisfying character growth, the anime throws all the development between Saito and Akane out the window in favor of cheap melodrama and unfunny jokes about cheating. It feels like an artificial cliffhanger meant to force a second season rather than an actual conclusion.

5. Chibi Artstyle Feels Out of Place (Personal Take)
This might be more of a nitpick, but I really disliked the chibi artstyle this anime randomly switches to. It’s almost always used during arguments, and it feels unnecessary. The art shift doesn’t add to the humor or the emotion—it just feels like a gimmick that could’ve been left out.

The Good:
1. When the Romance Works, It’s Actually Pretty Decent
Despite all my complaints, I’ll it that the rare moments of genuine romance in this anime can be really enjoyable. There are brief glimpses of a compelling relationship buried under all the frustrating writing. If only the story had committed to developing that romance rather than constantly resetting it…

6/10, Despite my gripes, I don’t think this anime is entirely unsalvageable. If a second season ever happens, it could improve on these issues—though I won’t hold my breath.

Thanks for reading! Hopefully, this helps you decide whether or not "I’m Getting Married to a Girl I Hate in My Class" is worth your time.

Devilman: Crybaby has great first episodes (1-6), horrible last few episodes (7-10).
The first six episodes are great—stylish, brutal, and full of energy. But before diving in, you should know this anime is packed with extreme violence, explicit sexual content, drug use, and heavy fanservice. If you’re uncomfortable with hypersexualization in media, this probably isn’t for you. It’s also definitely not something for younger audiences—I’d say 16+ at a minimum.

Now, onto the real problem: the story completely derails in the second half. While the early episodes balance over-the-top action with a fun narrative, the last few episodes drown in pretentious, nihilistic messaging (basically, "life is meaningless" ... vibes). The pacing slows to a crawl, and the plot becomes so ridiculous that I’d honestly rather watch modern Family Guy—which says a lot. At that point, you might as well skip ahead to the action, because the story is just that bad.

4/10. The first half is fun, but the second half completely kills the momentum. My own nihilistic takeaway? This anime is pointless to watch.

I don't know if I would call Rumbling Hearts a "bad" anime, but I can't decide whether I actually enjoyed watching it. For some reason, I was captivated by its attempt at a "realistic" love triangle, yet I found myself constantly frustrated by the way it unfolded. One thing is certain—this anime is pure drama. It tries to present a grounded take on a love triangle but does so in a way that leaves no one satisfied, least of all the viewer.

Note: I haven't read or played the visual novel (VN) this anime is based on, but given that it's a VN, I assume there ... are direct routes for each heroine that allow the player to avoid the convoluted melodrama. However, the anime thrives on dragging the audience into its emotionally exhausting narrative.

(Some light spoilers ahead, but nothing major. Heavier spoilers will be marked.)
Next, I will go down the points I can construe on why this has easily dislikable characters.

Haruka's Character:
Someone once pointed out, "Why wouldn't a doctor just tell the patient that they've been in a coma?" And the answer is simple: forced drama. That said, I don’t dislike Haruka herself. She’s a victim of circumstances, lied to the entire time, and completely unaware that she’s been in a coma for three years. Meanwhile, the world moved on without her—her friends have grown up, gotten jobs, and their relationships have changed. So while her situation is heartbreaking, the way the story handles it feels frustratingly artificial.

Mitsuki's Character:
I actually liked Mitsuki’s character overall. She feels somewhat realistic but also overexaggerated, especially in how possessive and emotionally unstable she becomes. She genuinely cares for Takayuki and wants the best for him, but her jealousy and desperation are dialed up to an almost soap-opera level. I would have had no major issues with her character if not for one specific event (which I’ll discuss later).

Shinji (Takayuki’s friend):
Absolutely inexcusable. Just a garbage-tier friend by the end of the series.
(Medium spoilers ahead!)
Shinji sleeps with Mitsuki while she’s emotionally vulnerable and struggling with her relationship with Takayuki. Now, ask yourself: "Would I sleep with my friend’s girlfriend just because he’s emotionally torn between his once comatose ex and his current relationship?"
If your answer is yes, then I hope you don’t have friends—and maybe rethink some of your life choices.
(End spoilers.)

Takayuki's Character:
Takayuki is a mess, and while I can understand why, he ends up being one of the biggest reasons for everyone's suffering. His situation is undeniably difficult—he's caught between guilt, obligation, and love—but his ive nature only makes things worse. He’s constantly enabling the pain of everyone around him, whether it's by avoiding confrontation, refusing to make a decision, or just going along with whatever others want from him.
To be fair, some of his inaction is due to external pressures. Haruka’s family and her doctor insist on keeping the truth from her, and Takayuki gets roped into that lie. But at the same time, he refuses to take a stand in his own relationships, which leads to the whole mess spiraling even further. He’s basically the punching bag of the series, just drifting along without taking control of his life.


Final Thoughts:
The drama kept me watching, even though I didn't necessarily enjoy it. The story is highly frustrating, yet strangely captivating—I was hooked, even as I wanted to scream at the characters. The anime's attempt at realism is both its strength and its downfall. It makes the emotional turmoil feel raw, but it also makes the melodrama overbearing and, at times, contrived.
Both female leads feel somewhat believable, but their actions (and the plot’s forced twists) occasionally break immersion. The show thrives on making you feel miserable alongside the characters, but that doesn’t necessarily mean it’s good storytelling.

4/10
Probably one of my most loved and hated anime experiences at the same time. If you enjoy intense relationship drama, you might find this compelling. But if you’re easily frustrated by ive protagonists, toxic relationships, and melodrama for the sake of melodrama, I’d recommend skipping it.

Thanks for reading! Hope this helps you decide whether or not to watch Rumbling Hearts.